CLOUDBUSTING


Hanna / 20 / Norway
And when a train goes by, it's such a sad sound...


fohk:

Control (2007)
Anton Corbijn

"People love Hubble images. It tells them where they came from. It tells them where they’re going.”

(Source: sambarks)

goldenveil:

‘Pigeon feeding near Blue Mosque’, 1991, Steve McCurry

goldenveil:

‘Pigeon feeding near Blue Mosque’, 1991, Steve McCurry

(Source: line.do)

miscfisc:

Postcards from Converging Lines: Eva Hesse and Sol LeWitt (February 23 – May 18, 2014), Blanton Museum of Art. Celebrating the close friendship between two of the most significant American artists of the post-war era: Eva Hesse (1936–1970) and Sol LeWitt (1928–2007).

All postcard images courtesy of Allen Memorial Art Museum, Oberlin College, Ohio.  Eva Hesse Archive, Gift of Helen Hesse Charash.  © The Eva Hesse Estate. Courtsey Hauser & Wirth  © Estate of Sol LeWitt/ Artist Rights Society (ARS) 


Canna, Scotland, United Kingdom

Canna, Scotland, United Kingdom

(Source: sellmyhouseandmovetoengland)

dajo42:

whenever somebody says like “so what did you do today?” just look off into the distance and say “the right thing”

My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings.
—Edvard Munch  (via petrichour)

(Source: larmoyante)

darksilenceinsuburbia:

Michael Wolf

Paris Rooftops

Being born in Munich, growing up in Canada and the United States and now living in Hong Kong, German photographer Michael Wolf is fascinated by his surroundings and contemporary life in big cities. After capturing the architectural density of his adoptive hometown and claustrophobic images of public transport passengers, Wolf now offers a different view on Paris. His series „paris roof tops“ avoids all the clichés connected to the „city of lights“ and instead features geometric patterns and muted colours in the distinctive looks of the French capital’s buildings.

hybridthry:

wearing all black today to mourn the death of my motivation

Feels Like We Only Go Backwards by Arctic Monkeys

(Source: boyfriend-music)

(29,899 plays)

julianaenglr:

ckck:

Seems like IKEA are really shaking things up this year. In addition to the previously announced TV set, they’re also going to release a digital camera made of cardboard called Knäppa (“Snap”). It’ll hold 40 photographs at a time and plugs directly into your USB port. While it’s not the prettiest camera the world has ever seen, I do love the idea of a screen-less digital camera that brings people back to the wait-and-see days of film.

DAMN IKEA AGGGH

Above us, only stars. Below us, only stars. To all sides, only stars. Inside us, only stars.
You realize that everything the police are doing in Ferguson is carefully calculated, right? They’re purposely turning peaceful protests into riots. They’re purposely committing violence to incite violence. From saying ‘We won’t be answering 911 calls,’ which is a very clever way to set themselves up to be able to say, ‘We were afraid for our safety - any call could really be an ambush, our lives were in danger’ right down to the camouflage and the military tanks and wearing more body armor than a soldier in a war zone. Its exactly why they’re going for a media blackout - yet allowing certain photos through - they WANT you to see their tanks. They want you to see their riot gear. They WANT you to see a war-zone. They’re trying to sell the world the idea that this community is inherently and constantly a source of violence and turmoil - they want you to think that they [the police] are being attacked daily in a place so vicious they need full body armor. You know why? Because then, at the end of the day, you might just be able to believe the story they’re going to spin. They’re going to tell you that this (white) officer goes to work in this war zone every day - that he spends every working moment in constant fear for his life. They’re going to tell you that Michael Brown attacked this officer. And then they’re going to bring up everything that has happened in the aftermath and try to use it to convince you that he shot that little boy because he was afraid for his life. They’re setting up a defense. You mark my words, they’re trying to set up a defense.
—My mom’s take on what’s going on in Ferguson (via actualbanshee)